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Tokyo!Genre:
Dramas
Release Date: 30/06/2009
Runtime: 107 min
Starring:
Ayako Fujitani, Ryo Kase, Denis Lavant, Jean-François Balmer, Teruyuki Kagawa, Yuu Aoi, Aymi Ito, Satoshi Tsumabuki, Naoto Takenaka
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DescriptionThis triptych of short films about Asias most misunderstood metropolis features three directors known for cinematically capturing the uncanny, and showing the individual oddity and anxiety that lurks beneath the surface of our smooth social interaction. While the two Western filmmakers, Michel Gondry and Leos Carax, simply relocate their favorite themes to Tokyo, the Korean director Bong Joon-ho more successfully allows the city to dictate the style and content of his segment. Gondrys "Interior Design" depicts Hiroko (Ayako Fujitani) and Akira (Ryo Kase), an aimless artistic couple who overstay their welcome in a friends tiny apartment. Their illusions about finding success in Tokyo are gradually dissolved by the reality checks of their abysmal apartment search, some severe parking violations, and an embarrassing screening of Akiras shoddy debut film. Hirokos antidote for her disappointment is to forcibly fluctuate the boundaries between reality and her perception, which ultimately results in an unusual transformation. "Merde," Caraxs contribution, is the most memorable of the trio, but also the least successful. Denis Lavant plays a grotesque miscreant who periodically emerges from the sewers to terrorize the city. The sequence itself becomes a monstrous barrage of symbolism, as Carax variously invokes Tokyos issues with immigration, terrorism, technology, translation, and the memory of war. Bongs "Shaking Tokyo" is a slow ode to the subculture of "hikikomori," Japanese agoraphobes who refuse to emerge from their homes. A shut-in (Teruyuki Kagawa) lives a contented life in his immaculately ordered apartment, marked by the straight lines of his stacked books and the harmonious circles of paper-towel rolls and water bottles. When a series of earthquakes and an encounter with an alluring pizza girl force the recluse to venture outside, Bong begins to blur the sharp defining lines and edges within the frame, washing out the crisp focus with an ethereal surge of light. |
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